A guest post by Rachele Salvini

The first time I watched my own fiction writing coming out of a printer, I could not believe it. The printer belonged to the library of a well-known liberal arts college in New York, and it was weird for me to even be there. I was an Italian girl alone in the United States, and I was about to show that same writing to a bunch of students who would then give me feedback. All this, of course, would take place in English.

Maybe this does not sound like a big deal. That is how every creative writing workshop works and, in the end, the feedback I got was not bad at all. I can remember the story I read and most of what was said by my classmates. I went home happy, but my initial worries were absolutely legitimate. I had been reading books in English for a long time and I was pursuing a degree in English language and literature, but I had always written in Italian. Writing in another language was a completely new challenge.

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A guest post by Yi Shun Lain

The other day my husband fixed our bathroom sink with a video on YouTube, and I read a tutorial on how to build a wall planter.

So I was kind of surprised when I saw someone in an online writer’s community I’m in ask whether or not we thought her MFA program should be teaching her about the business of publishing. I mean, if I can learn rudimentary Spanish from an app, surely this person, who’s paying thousands of dollars to learn how to have a career in the written arts, should expect to learn how to . . . well, have a career.

I guess a little background is due: I’m a writing coach and editor. I’m also a novelist, and I edit nonfiction at a literary magazine. I cut my teeth in the consumer magazine world, and write marketing copy and teach workshops. In short, I make my living with words. I have an MFA myself, from an institution I chose specifically because its faculty comprised working writers, and a certificate in publishing from what is now the Columbia Publishing Course (when I graduated, it was still the Radcliffe Publishing Course). I got much of my writing-business acumen on the job, and when the time came to write and query my novel, I learned almost everything from friends who were literary agents, and, eventually, more timely information from my MFA program.

I’ve noticed a few things that crop up again and again when folks talk about writing and what place business has in it, and where and how you should learn these things. I’ll address them from my point of view below. And I invite you to partake in a conversation about them in the comments. Here we go:

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