A guest post by literary agent Nephele Tempest.
No matter your resolutions for the year, regardless where you stand with your current writing project, the time will come when you need to edit. I don’t mean rework your plot, heighten dramatic tension, or beef up your protagonist’s motivations. Rather I’m referring to that nitty gritty editorial process of looking at your work word by word, sentence by sentence, and examining the language you’ve used. Do your descriptions dance on the page? Have any clichés snuck into the mix? If you had to read aloud in front of an audience, would you find yourself running out of breath?
Sentence-level editing involves more than checking for missing words or making sure your Find-and-Replace changed a character’s name all the way through your manuscript. This is your chance to shape up your prose and show your skills, not just as a storyteller but as a wordsmith. But a manuscript can be a fairly long document, and sometimes it’s hard to remember everything you want to check as you work your way through from first page to last.
Here’s a handy cheat sheet of things you might want to keep in mind while editing:
- Cut your adverbs and make your verbs stronger.
- Rework any clichés.
- Eliminate filler words and phrases, such as “currently”, “that”, and “in order to.”
- Refer to people as “who” not “that.”
- Cut repetitious words and/or phrases.
- Divide long, hard-to-read sentences into two or more shorter sentences.
- Fix any inadvertent double negatives in long, complex sentences.
- Hyphenate modifying words.
- Minimize use of “very” and “really.”
- Beware of overusing passive voice/passive verb structures (is/was/-ing verbs).
- Double check the definitions of any words you’re not 100% sure you know.
- Determine and weed out any words, actions, or punctuation that you personally overuse as filler, such as characters smiling or taking deep breaths, ellipses in the middle or end of dialogue, exclamation points, etc.
- Replace general words with specific ones, such as “thing(s)” or “stuff.”
- Cut unnecessary chit-chat from dialogue; limit conversations to substance that moves your story forward.
- Limit distinctive dialogue quirks or movements to a single character; don’t give “signature” details to more than one person unless there’s a reason (child emulating a parent or older sibling, etc.).