Eleanor Catton, winner in 2013 for The Luminaries
“Read everything. You can learn from everything that has a narrative—books, of course, but also films, TV shows, computer games, advertisements, conversations, speeches, articles, the news. Read things you don’t like, and try to figure out why you don’t like them. Ask ‘why?’ and ‘how?’ as much as possible, and don’t be content with an easy answer.”
Hilary Mantel, winner in 2012 for Bring Up the Bodies and in 2009 for Wolf Hall.
“Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that’s the point to step back and fill in the details of their View Post