1. Writer Enamel Pin
$9 – available here
2. The Writer’s Companion Ceramic Vase
$17.75 – available here
3. Breathmints of Champions
$3 – available here
4. Concealed Floating Bookshelf
A guest post by Joe Moran
If you want to write a good sentence, you must learn to love the full stop. Love it above all other punctuation marks, and see it as the goal towards which the words in your sentence adamantly move.
A sentence, once begun, demands its own completion. As pilots say: take-off is optional, landing is compulsory. A sentence throws a thought into the air and leaves the reader vaguely dissatisfied until that thought has come in to land.
Author John Green has described Amsterdam as the city he loves most in the world. It was an important setting for his bestseller The Fault in Our Stars and it was at the Amsterdam Writers’ Residency in 2011 that Green worked on many of the Dutch sections of his manuscript.
The Amsterdam Writers’ Residency was founded in 2006 and offers writers from around the world the opportunity to live and work in the literary heart of the city for up to three months. View Post
A guest post by Virginia Lloyd
You’re ready to approach an agent or publisher with your finished manuscript. You’re no doubt exhausted and relieved to have reached this point. But appealing to a publishing professional is a struggle of a wholly different kind. Which agent to email? Which publishing house to submit your first three chapters? Here are some ways you can improve your chances of finding the right agent or publisher for you.
Many writers ask me whether they need a literary agent. My answer is that it truly depends on your unique circumstances – and the quality of the agent.
A guest post by H. C. Gildfind
There are infinite online articles debating the ‘merit’ of creative writing courses. This is evidenced, for example, by the many articles responding to Hanif Kureishi’s apparent declaration that creative writing courses are (despite the fact he teaches one) a ‘waste of time’ because most students are talentless and simply can’t tell a good story. Kureishi’s claim kicked off an entirely predictable debate where professional writers, writer-teachers, students and nobodies-in-particular argued whether writers are ‘born’ or ‘made.’
The following article is not going to engage in this debate because, as Nell Stevens notes, the debate has been ‘done…to death.’ What follows is simply a description of how formal writing courses are taught, and what they have done for me as a writer. View Post