Deadlines and details do sometimes change, so please check the relevant websites for all the latest terms and conditions. For more writing competitions and writing-related news follow Aerogramme Writers’ Studio on Facebook and Twitter.
Indiana Review Fiction Prize
This competition is open to short stories up to 8000 words in length. The winner receives US$1000 and publication in Indiana Review. The final judge is author Caitlin Horrocks and all entries will be considered for publication. Entries close 31 October.
We Need Diverse Middle Grade Short Story Contest
We Need Diverse Books™, a grassroots organisation dedicated to promoting literature that reflects the lives of all young people, is inviting entries from unpublished writers for its middle grade short fiction contest. The winning entrant will receive a US$1000 prize and their story will be included the Heroes Next Door Anthology. Entries close 31 October.
Barry Hannah Prize in Fiction
Named in memoriam, the Barry Hannah Prize in Fiction celebrates writing that captures the strange, surreal, absurd, and magical. Open to stories up to 5000 words, entry is free and the first prize winner will win US$500 and publication in the winter issue of Yalobusha Review. Entries close 31 October.
A guest post by Karen Andrews
Like many who work in the creative fields, I’ve worn many hats over my career: writer, blogger, editor, arts worker, publisher, teacher, mentor . . . the list goes on. I’ve navigated the digital space and the opportunities it provides while also working with (sometimes for) more traditional publications. I’ve talked with countless people about getting started with their writing, and one of the biggest issues I’ve encountered is that many writers either avoid or stop submitting their work due to fear of rejection. This is understandable.
Image: Kazuo Ishiguro in 2017. EPA Images
A guest post by Sara Whiteley
Kazuo Ishiguro has been awarded the Nobel Prize in Literature and, as a long-term scholar and fan of Ishiguro, I feel compelled to join the celebration. The Swedish academy aptly described Ishiguro’s works as possessing “great emotional force” which “uncovered the abyss beneath our illusory sense of connection with the world”. But in an interview posted on the Nobel Prize website, Ishiguro offered a narrower statement of his interest in wordly connections, saying:
One of the things that’s interested me always is how we live in small worlds and big worlds at the same time: that we have a personal arena in which we have to try and find fulfilment and love, but that inevitably intersects with a larger world, where politics, or even dystopian universes, can prevail. So I think I’ve always been interested in that. We live in small worlds and big worlds at the same time and we can’t … forget one or the other.
Image: The 2016/2017 Emerging Writers Fellowship Writers (L to R) Juel Taylor, Josephine Green, Brian Buccellato, Leon Hendrix and Roseanne McAleese
Applications are now open for the Universal Writers Program, a year-long paid fellowship program for up-and-coming screenwriters. The program seeks to identify writers with unique, global perspectives and to develop storytellers with the intent to incorporate multicultural and global perspectives in screenwriting.
The primary goal of the one-year program is for the selected writers to create material for development consideration; however, concept development is not guaranteed. In addition to penning two feature-length scripts, writers will participate in a curriculum designed to strengthen their creative approach, personal presentation skills and overall knowledge of the studio production process.
Gothic novelist Anne Rice was born and raised in New Orleans, Louisiana. She is the author of over 30 novels. Her first novel, Interview with the Vampire, was published in 1976 and has gone on to become one of the best-selling novels of all time.
- Rely heavily on concrete nouns and action verbs. Nothing conveys immediacy and excitement like the concrete noun and the action verb.
- Rely heavily on short sentences and even fragments. Long complex sentences, especially when filled with abstract nouns slow the reader and even confuse him or her. Break up these sentences. Or balance them with short ones.
- Don’t hesitate to write one sentence paragraphs and short paragraphs in general. Never, never bury a key revelation or surprise or important physical gesture by a character at the end of an existing paragraph. Move this to a new paragraph. View Post