Archives For Writing Tips

15 Ways to Write a Novel

25 November 2014 — 7 Comments
15 Ways to Write a Novel
Max Barry is one of Australia’s most exciting writers. His speculative fiction novel Lexicon was named as one of the 10 best fiction books of 2013 by Time magazine. In this post Max shares some of the methods he and other authors use to write a novel. 

Every year I get asked what I think about NaNoWriMo, and I don’t know how to answer, because I don’t want to say, “I think it makes you write a bad novel.”

This is kind of the point. You’re supposed to churn out 50,000 words in one month, and by the end you have a goddamn novel, one you wouldn’t have otherwise. If it’s not Shakespeare, it’s still a goddamn novel. The NaNoWriMo FAQ says: “Aiming low is the best way to succeed,” where “succeed” means “write a goddamn novel.”

I find it hard to write a goddamn novel. I can do it, but it’s not very fun. The end product is not much fun to read, either. I have different techniques. I thought I should wait until the end of November, when a few alternatives might be of interest to those people who, like me, found it really hard to write a goddamn novel, and those people who found it worked for them could happily ignore me.

Some of these methods I use a lot, some only when I’m stuck. Some I never use, but maybe they’ll work for you. If there were a single method of writing great books, we’d all be doing it.

1. The Word Target

What: You don’t let yourself leave the keyboard each day until you’ve hit 2,000 words.

Why: It gets you started. You stop fretting over whether your words are perfect, which you shouldn’t be doing in a first draft. It captures your initial burst of creative energy. It gets you to the end of a first draft in only two or three months. If you can consistently hit your daily target, you feel awesome and motivated.

Why Not: It can leave you too exhausted to spend any non-writing time thinking about your story. It encourages you to pounce on adequate ideas rather than give them time to turn into great ones. It encourages you to use many words instead of few. If you take a wrong turn, you can go a long way before you realize it. It can make you feel like a failure as a writer when the problem is that you’re trying to animate a corpse. It can make you dread writing.

2. The Word Ceiling

What: You write no more than 500 words per day.

Why: You force yourself to finish before you really want to, which makes you spend the rest of the day thinking about getting back to the story, which often produces good new ideas. You feel good about yourself even if you only produced a few hundred words that day. You don’t beat yourself up about one or two bad writing days. You give yourself time to turn good ideas into great ones. Writing feels less like hard work. (More on this.)

Why Not: It takes longer (six months or more). It can be difficult to work on the same idea for a very long time. It may take so long that you give up. Continue Reading…

Geoff Dyer's Top 10 Tips for Writers

Geoff Dyer was described in New York Magazine as being “one of our greatest living critics, not of the arts but of life itself, and one of our most original writers – always out there beyond literary Mach 1, breaking the how-things-usually-sound barrier.” He is the author of four novels, two essay collections, and six genre-defying titles (that generally find themselves shelved among the non-fiction). His most recent book, Another Great Day at Sea: Life Aboard the USS George H.W. Bush, was published in May of this year. In 2010 Dyer shared the following writing tips with the Guardian.

  1. Never worry about the commercial possibilities of a project. That stuff is for agents and editors to fret over—or not. Conversation with my American publisher. Me: “I’m writing a book so boring, of such limited commercial appeal, that if you publish it, it will probably cost you your job.” Publisher: “That’s exactly what makes me want to stay in my job.”
  2. Don’t write in public places. In the early 1990s I went to live in Paris. The usual writerly reasons: back then, if you were caught writing in a pub in England, you could get your head kicked in, whereas in Paris, dans les cafés … Since then I’ve developed an aversion to writing in public. I now think it should be done only in private, like any other lavatorial activity.
  3. Don’t be one of those writers who sentence themselves to a lifetime of sucking up to Nabokov.
  4. If you use a computer, constantly refine and expand your autocorrect settings. The only reason I stay loyal to my piece-of-shit computer is that I have invested so much ingenuity into building one of the great auto-correct files in literary history. Perfectly formed and spelt words emerge from a few brief keystrokes: “Niet” becomes “Nietzsche,” “phoy” becomes “photography” and so on. Genius!
  5. Keep a diary. The biggest regret of my writing life is that I have never kept a journal or a diary.
  6. Have regrets. They are fuel. On the page they flare into desire.
  7. Have more than one idea on the go at any one time. If it’s a choice between writing a book and doing nothing I will always choose the latter. It’s only if I have an idea for two books that I choose one rather than the other. I always have to feel that I’m bunking off from something.
  8. Beware of clichés. Not just the clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought—even of conception. Many novels, even quite a few adequately written ones, are clichés of form which conform to clichés of expectation.
  9. Do it every day. Make a habit of putting your observations into words and gradually this will become instinct. This is the most important rule of all and, naturally, I don’t follow it.
  10. Never ride a bike with the brakes on. If something is proving too difficult, give up and do something else. Try to live without resort to per­severance. But writing is all about perseverance. You’ve got to stick at it. In my 30s I used to go to the gym even though I hated it. The purpose of going to the gym was to postpone the day when I would stop going. That’s what writing is to me: a way of postponing the day when I won’t do it any more, the day when I will sink into a depression so profound it will be indistinguishable from perfect bliss.

Read more writing tips from Hilary MantelPaulo Coelho, Teju ColeMeg Rosoff, Joss Whedon and Neil Gaiman.

Text via The Paris Review. Photo by Jason Oddy.

12 Literary Magazines for New & Unpublished Writers

Providing news and helpful information for emerging writers was one of the major motivations for starting the Aerogramme Writers’ Studio website. One of the most popular articles we’ve posted to date has been 9 Literary Magazines for New and Unpublished Writers. So, by popular demand, here are 12 more publication opportunities for writers at the start of their careers to consider.

If you haven’t submitted your work for publication before, or if you would just like some tips from the experts, be sure to read How to Submit Your Writing to Literary Magazines, a great article with lots of useful advice from the editors of Neon Literary Magazine.

1. Sixpenny
is a new digital magazine of illustrated short stories. Each issue has six stories that take six minutes to read: three by widely published authors, and three by unpublished authors. Each writer is paid $100 for their work. The editors are seeking literary fiction that ‘keeps a reader engaged and excited from the first word to the last.’

2. The Wrong Quarterly
is a London-based literary magazine showcasing prose from both British and international writers. Its aim is to provide an inclusive platform for emerging writers worldwide. The Wrong Quarterly accepts fiction up to 6000 words and non-fiction up to 5000 words.

3. Quiddit Literary Journal 
is part of a multimedia arts program produced by Benedictine University in partnership with NPR member station WUIS Illinois. The journal, published semi-annually, features prose, poetry and artwork. International submissions from emerging as well as established writers are encouraged.

4. Neon Literary Magazine
is published three times a year in print and online, and welcomes submissions from new and never before published writers. The magazine’s tastes tend towards the dark and the surreal. Writers are asked to include a short biography and cover letter with their submissions and poets should send several poems at once (rather than just one). Neon’s website also has a number of helpful links and resources for both emerging and established writers.
Continue Reading…

“Maybe nobody’s perfect but Billy Wilder comes as close to it as you’ll find among filmmakers in Hollywood today, and also yesterday.” – Jack Lemmon

Six-time Oscar winner Billy Wilder is one of the most respected and beloved screenwriters and directors of the twentieth century. In 1999’s Conversations with Wilder by fellow filmmaker Cameron Crowe (Jerry Maguire, Elizabethtown), Wilder discussed his extraordinary career in detail and shared the following tips for writers:

  1. The audience is fickle.
  2. Grab ‘em by the throat and never let ‘em go.
  3. Develop a clean line of action for your leading character.
  4. Know where you’re going.
  5. The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
  6. If you have a problem with the third act, the real problem is in the first act.
  7. A tip from [Ernst] Lubitsch: Let the audience add up two plus two. They’ll love you forever.
  8. In doing voice-overs, be careful not to describe what the audience already sees. Add to what they are seeing.
  9. The event that occurs at the second-act curtain triggers the end of the movie.
  10. The third act must build, build, build in tempo and action until the last event, and then –
  11. – that’s it. Don’t hang around.

Continue Reading…

Opportunities for Writers November and December 2014

Over 100 competitions, publication opportunities, fellowships and more.

Please check the relevant websites for all terms and conditions and be aware that entry fees are payable in many cases. 

NaNoWriMo
November is National Novel Writing Month, or NaNoWriMo, described as ‘the world’s largest writing event and nonprofit literary crusade’. Participants pledge to write 50,000 words in a month, starting from scratch and reaching ‘The End’ by November 30. The NaNoWriMo website offers lots of tips and support, as well as links to local events around the globe.

John Steinbeck Short Story Award
is one of three prizes offered by Reed Magazine. This award is for a work of fiction up to 5000 words and requires a reading fee of $15. The winner of the John Steinbeck Award receives a cash prize of US$1000. Entries close 1 November.

Gabriele Rico Creative Nonfiction Challenge
also offered by Reed Magazine, is for a work of nonfiction up to 5000 words. The winner receives a cash prize of US$1333. Entries close 1 November.

Edwin Markham Prize
is the third prize from Reed Magazine. It is for is for works of poetry and is awarded for up to five poems. The winner receives US$1000.  Entries close 1 November.

Amazon.ca First Novel Award
is a competition that recognises the outstanding achievement of a first-time Canadian novelist.The Award is for books published in English in between 1 January 2014 and 31 March 2015. Finalists receive $1000 each and the winner receives $7500. Entries for books published in 2014 close on 1 November.

Malahat Review’s Open Season Awards
are open to short fiction up to 2500 words, as well as to poetry and creative non-fiction. The winning entries receive CA$1000 and will be published in The Malahat Review’s Spring 2015 issue. Entries close 1 November.

Bat City Review
is an annual literary magazine run by graduate students from the University of Texas at Austin. It interested in poetry, fiction, and creative non-fiction (personal essays, memoir, commentary) that experiments with language, form, and unconventional subject matter, as well as more traditional work. Submissions close 1 November. Continue Reading…

Teju Cole's Rules on Writing
In this guest post Emmanuel Iduma, co-publisher and creative director of Saraba Magazine, shares some inspiring and practical advice from Teju Cole.

Eight Letters to a Young Writer evolved as a fictional exercise addressed by Teju Cole to an imaginary young Nigerian writer. With the encouragement of Molara Wood, the editor of the series, Cole tried to move from discussions of simple writing precepts to more complex things like voice and calling. Those pieces, first published in the now defunct NEXT newspaper, were made available by Cole as a single downloadable PDF file. From that PDF I have gleaned 20+ tips/lessons on writing. I consider the letters one of the most important resource on the art of writing fiction that has come out of Nigeria in the last five years. And I share in Teju Cole’s aspiration that young writers in Nigeria and elsewhere find the tips useful.

Continue Reading…

Opportunities for Writers October and November 2014

 

Over 90 competitions, publication opportunities, fellowships and more.

Please check the relevant websites for all terms and conditions and be aware that entry fees are payable in many cases. 

Boston Review’s Aura Estrada Short Story Contest
will be judged in 2014 by Ruth Ozeki, winner of the Los Angeles Times Book Prize for A Tale for the Time Being. The winning author will receive US $1500 and have his or her work published in the summer edition of Boston Review. Entries close 1 October.

Vermont Studio Center
is the largest international artists’ and writers’ Residency Program in the United States, hosting 50 visual artists and writers each month from across the country and around the world. The Studio Center provides 2-12 week studio residencies on a historic 30-building campus along the Gihon River in Johnson, Vermont. The next application deadline is 1 October.

Zoetrope All-Story’s Annual Fiction Contest
has the aim of seeking out and encouraging talented writers, with the winning and runners-up’s work being forwarded to leading literary agents. A first prize of US$1000 is also offered. Stories can be up to 5000 words. Entries close 1 October.

Southern Indiana Review’s Mary C. Mohr Editors’ Award
will award a prize of US $2000 and publication for a poem or poems up to 10 pages long.All themes and subject matters are eligible and all submissions will be considered for publication. Entries close 1 October.

Bernheim Forest Writing Residencies
are offered in collaboration with Sarabande Books and Bernheim Arboretum & Research Forest. The Bernheim Forest Writing Residency is located in a 14,000 acre forest and nature preserve located near Louisville, Kentucky. Residents receive a $500 honorarium and stay for between 4 and 12 weeks in a furnished cabin. Applications close 1 October.

Stinging Fly
publishes new, previously unpublished work by Irish and international writers. It has a particular interest in promoting the short story. Each issue also includes a mix of poetry, book reviews and essays, alongside occasional author interviews and novel extracts. Submissions reopen in October. Continue Reading…