Archives For Books

Stephen King's Everything You Need to Know About Writing Successfully in Ten Minutes
We came across the following article by Stephen King a little while ago. We believe it was originally published in a 1986 edition of The Writer magazine and republished in the 1988 edition of The Writer’s Handbook. We reproduce it here for educational purposes only. 

I. The First Introduction

THAT’S RIGHT. I know it sounds like an ad for some sleazy writers’ school, but I really am going to tell you everything you need to pursue a successful and financially rewarding career writing fiction, and I really am going to do it in ten minutes, which is exactly how long it took me to learn. It will actually take you twenty minutes or so to read this essay, however, because I have to tell you a story, and then I have to write a second introduction. But these, I argue, should not count in the ten minutes.

II. The Story, or, How Stephen King Learned to Write

When I was a sophomore in high school, I did a sophomoric thing which got me in a pot of fairly hot water, as sophomoric didoes often do. I wrote and published a small satiric newspaper called The Village Vomit. In this little paper I lampooned a number of teachers at Lisbon (Maine) High School, where I was under instruction. These were not very gentle lampoons; they ranged from the scatological to the downright cruel.

Eventually, a copy of this little newspaper found its way into the hands of a faculty member, and since I had been unwise enough to put my name on it (a fault, some critics argue, of which I have still not been entirely cured), I was brought into the office. The sophisticated satirist had by that time reverted to what he really was: a fourteen-year-old kid who was shaking in his boots and wondering if he was going to get a suspension … what we called “a three-day vacation” in those dim days of 1964.

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 The Art of Writerly Procrastination, or How I Write My Books While Appearing to Do Nothing
Paddy O’Reilly is an Australian writer of fiction, non-fiction and screenplay. Her latest novel, The Wonders, is published in the United States this week by Washington Square Press. Here she shares an insight into her writing process.

Allow me to introduce you to one of the ways I spend my writing time – observing chickens. My two chooks are called Toni and Guy. I named them after a hairdressing firm in honour of their excellent plumage.

When I’m writing, I often find it necessary to spend time with Toni and Guy. I feed them from my hand and listen to their snuffly nose breathing as they peck at the seeds. I watch as they travel the morning yard, inspecting the grass for bugs that have landed in the night and not yet made their escape. The girls accompany me as I pass through the garden pulling weeds; or tickling a male flower’s stamen with a feather from Toni and Guy’s coop then transferring the collected pollen to the pistil of a female flower; or nipping the laterals off a plant; or harvesting tomatoes and zucchini and peppers into the basin I carry around each morning in summer.

As I pick my way through my garden tasks, they meander in my wake, tilting their heads to see better because their vision is alien to mine. Chickens can see ultraviolet light. They have better motion-sensing ability than me – they know a crow is in the sky well before I have any idea. When I want to see something close up, I lower my head and look with both eyes. When the girls want the same thing, they often tilt their head sideways to focus the fovea of a single eye, which we humans cannot do. But at night their vision falters. I have to make sure they are protected from predators who can clearly see their sleeping bodies in the dark.

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Aerogramme Writers' Studio's Favourite Books of 2014

We asked some of our wonderful contributors what were the best books they read in 2014. Here are their responses:

EMMANUEL IDUMA

I’m on the final pages of Yvonne Owuor’s Dust, which has brought an excitement and a brokenness I cannot yet name. Earlier I read Maaza Mengiste’s Beneath the Lion’s Gaze, a novel that reads like a dream inserted in Ethiopia’s history. The new book by David Levi Strauss, Words Not Spent Today Buy Smaller Images Tomorrow is a touchstone for me as a fledgling art critic – how do I write with conscience and clarity about photography?  Two books of poems, Tade Ipadeola’s The Sahara Testaments and Dami Ajayi’s Clinical Blues, though different in style, highlighted for me what is at stake in Nigerian poetry. They contain a certain fire, an urgency to name things properly. Finally I have held myself to the standards and vision of two novels: The Hour of the Star, Clarice Lispector’s last book, and Seiobo There Below, Laszlo Krasznahorkai’s newly translated book.

Emmanuel Iduma is co-publisher and creative director of Saraba Magazine. His debut novel, Farad, was published in 2012 by Parresia Publishers. 

KELLY GARDINER

I’m way behind in my reading, so many of 2014’s highlights have been out for a while. I started the year reading Jesse Blackadder’s evocative Chasing the Light – immersing myself in a story of Antarctic exploration while sweltering on a hot beach in the middle of an Australian summer. Other favourites from the exciting new generation of literary historical fiction writers include Hild, in which Nicola Griffith casts a new light on the so-called Dark Ages, and Stella Duffy’s uproarious Theodora, based on the life of the unlikely Byzantine Empress. I loved Paddy O’Reilly’s The Wonders: there’s so much to enjoy and ponder in this subtle story of misfits who become celebrities, and the wondrous world they inhabit. In an era of brilliant young adult fiction, Fiona Wood’s masterful Wildlife is the YA book I loved most this year – her prose and characterisation are just about perfect. In non-fiction, Janet Butler’s Kitty’s War, based on the diaries of Kit McNaughton, is an earthy antidote to recent romanticised narratives around nursing in World War I. There are so many books coming out to commemorate the centenary of the war, it feels like a deluge, and it’s going to feel like that for another five years or so. If you want to try to understand the War to End All Wars, start with the first-hand accounts, some of which are among the best twentieth century writing: Vera Brittain’s Testament of Youth, Siegfried Sassoon’s autobiographical novels beginning with Memoirs of a Fox Hunting Man, Robert Graves’ Goodbye to All That, and Frederic Manning’s The Middle Parts of Fortune. All are either still in print or have now been republished.

Kelly Gardiner writes historical fiction for readers of all ages, and teaches writing, research skills and digital literacy. She works part-time at the State Library of Victoria. Her latest book is Goddess, based on the life of the seventeenth century swordswoman and opera star, Julie d’Aubigny. 

ANNABEL SMITH

One of the highlights of my reading year was Richard Powers’ Booker-longlisted Orfeo, the story of an avant-garde composer who becomes a fugitive after being falsely accused of bioterrorism. It is the most profound and emotionally affecting book I have read in a long time and the prose is stunning. I find it hard to resist a literary apocalypse tale and was beguiled by Emily St John Mandel’s Station Eleven, the tautly paced and perceptive tale of a touring troupe of actors and musicians who cross paths with a dangerous cult leader, twenty years after the world we know is destroyed by a pandemic. Finally, for sheer weirdness, Jeff VanderMeer’s Southern Reach trilogy  (Annihilation, Authority and Acceptance) is unparalleled. Beautifully written, intensely creepy and utterly baffling, it is a compelling psychological thriller about how a group of bureaucrats, scientists, psychologists and ordinary folk deal with a mysterious and utterly unknowable life-force that transforms part of the Florida landscape.

Annabel Smith is the author of Whisky Charlie Foxtrot, and A New Map of the Universe, which was shortlisted for the WA Premier’s Book Awards. Her latest project is The Ark, a new digital interactive novel/app. 

ROWENA WISEMAN

Maree Dawes’s verse novel BRB or Be Right Back was a surprising highlight this year. She explores the power of words over touch and how an online obsession can become a real world problem. Erik Jensen’s biography Acute Misfortune: The Life and Death of Adam Cullen is a powerful yet sympathetic portrait of a complex artist that raises the question does good art excuse bad behaviour? This year I also discovered a couple of unforgettable gems, Émile Zola’s The Masterpiece, a true masterpiece, and Today I Wrote Nothing: The Selected Writings of Daniil Kharms (translated by Matvei Yankelevich), a hilarious introduction to the iconic Soviet-era absurdist writer and poet.

Rowena Wiseman writes contemporary fiction and children’s stories. Her most recent book, Bequest, was published in June 2014 by Tenebris Books.
 
 


By Zoë Sadokierski
Lecturer, School of Design at University of Technology, Sydney

How publishing works: a book designer's perspective - Image by Zoe Sadokierski

Publishing is the process of getting the author’s story out of her or his head and into the hands of a reader. Zoe Sadokierski

Authors don’t write books, they write manuscripts. Publishing is the process of getting an author’s manuscript into the hands of a reader, by materialising it – giving it form, as a book. This may be printed (a codex) or digital (an ebook).

I produced the illustrations in this post for a Sydney Writers Festival talk in 2012. All publishing houses have different protocols and cultures; this overview is based on my experience as an in-house book designer at Allen&Unwin (2003-2006), and as a freelance designer for a range of Australian publishers over the past decade.

How publishing works a book designers perspective - Image 2 - Zoe Sadokierski

The author enters a publishing house with a manuscript. Zoe Sadokierski

The author’s manuscript is either solicited (the publisher asks them to write it) or unsolicited (the author writes it, then shops for a publisher). Being rejected is awful and publishing contracts are complicated, so many authors employ an agent to negotiate a deal with a publisher.

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Truman Capote Reads From Breakfast At Tiffanys

Very few authors, especially the unpublished, can resist an invitation to read aloud. I made us both a drink and, settling in a chair opposite, began to read to her, my voice a little shaky with a combination of stage fright and enthusiasm: it was a new story, I’d finished it the day before, and that inevitable sense of shortcoming had not had time to develop.
– Truman Capote, Breakfast at Tiffany’s: A Short Novel and Three Stories

This reading from Breakfast at Tiffany’s by Truman Capote was recorded in New York City at the 92nd Street Y on 7 April 1963. Before the reading, the Y’s Poetry Center Director John Malcolm Brinnin introduced the author saying:

In the very curious sociology of these times, the name of Truman Capote has become a household word . . . He no longer has to write a book to make news, but simply to be Truman Capote. No one is surprised anymore to learn that this young American writer has been quietly dining with Princess Margaret, or that he has been spirited off on the yachts of Greeks richer than Mycenaes, or that he has recently flown to Amsterdam to have a tooth filled.

But let us be wary of the disguises of genius. Anyone who knows Truman Capote knows that the columnists capture the details but miss the point. Beyond the public image of Truman Capote there stands a very private man, who owns one of the toughest, most resourceful and surgically adept minds in modern letters. And if we now must note that the boy wonder has become the prodigal son, that is all the more reason why I am happy to invite you to join me in welcoming him.

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As we explained in last year’s F. Scott Fitzgerald eBooks Collection post, Australian copyright law means that the works of many 20th century authors are freely available in the public domain, despite being still under copyright in the United States and elsewhere. This is because until 2005 Australia had a ‘life of the author plus 50 years’ copyright rule, making the writing of any author who died before 1955 freely available.

Thanks to the University of Adelaide, readers in Australia now have access to free and legal eBooks archive of works by George Orwell. The books are available to be read online, downloaded as ePub files (suitable for most eReaders), and in a format accessible on Kindles.

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George R.R. Martin’s A Song of Ice and Fire series has sold over 25 million copies in North America alone. With each volume weighing in at close to a thousand pages or more, writing each instalment is quite a time consuming process. On Conan O’Brien’s late-night talk show last month, Martin shared why, despite his phenomenal success (or perhaps because of it), he still uses a computer from the 1980s.

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