Canadian literary magazine PRISM international aims to publish the best contemporary fiction, creative non-fiction, translation, drama, and poetry from around the world. While its pages have featured such luminaries as Margaret Atwood, Jorge Luis Borges, Raymond Carver, and Seamus Heaney, most of the work it publishes is unsolicited, and many writers whose first publication appeared in PRISM international have gone on to critical acclaim. PRISM’s Prose Editor Christopher Evans discusses what he’s learned about editing a literary magazine, from a writer’s POV.

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Starting in May, Iowa’s acclaimed International Writing Program is offering two new free online courses. Both will explore writing about identities, communities, and social issues.

The International Writing Program at the University of Iowa is a “unique conduit for the world’s literatures, connecting well-established writers from around the globe”,  Its principal program is its Fall Residency; since 1967 over fourteen hundred writers from more than 150 countries have participated.

In 2014 the International Writing Program offered its first MOOCs (Massive Open Online Courses). These courses, funded by the University of Iowa and the U.S. Department of State’s Bureau of Educational and Cultural Affairs, welcome all participants; no application is required and there is no charge for enrollment. In its first year alone, 15,789 readers and writers from around the world participated in these online courses.

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The Elizabeth Jolley Short Story Prize is one of Australia’s most lucrative prizes for an original short story. Managed by Australian Book Review, the prize is worth a total of AUD$12,500 (approximately US$9400).

The winner of the 2017 Elizabeth Jolley Short Story Prize will receive $7000, and there are runners-up prizes of $2000 and $1000. In addition, three entries will receive judge’s commendation prizes of $850 each.

Entries are welcome from writers anywhere in the world and there are no age restrictions.

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A guest post by Debra Eckerling

Most writers would agree: it’s a lonely profession. If you’re lucky, you get to spend lots of time behind the computer writing articles, prose, books, screenplays, etc. The drawback: you spend lots of time behind the computer.

It’s essential for writers to connect with others for various reasons.

Building a network gets you:

  • Leads for representation, submissions, and assignments. I have been writing for years and have only gotten two gigs from blind queries; the rest have been from referrals.
  • An audience, which only continues to increase in importance in this digital and social media age.
  • A support system for the ups and downs of the journey.

Therefore, you need to actually make an effort to meet, connect, and develop relationships with other writers.

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Literary magazine Oxford American is offering a nine-month fellowship to one talented writer. The selected fellow will receive a $10,000 living stipend, housing and an editorial apprenticeship with the Oxford American. The fellowship is intended to support the writing of a debut book of creative nonfiction.

Based in Little Rock, Arkansas, The Oxford American is a nonprofit, quarterly literary magazine dedicated to featuring “the best in Southern writing while documenting the complexity and vitality of the American South”. The journalism and literature published in the Oxford American has received numerous prizes, including The O. Henry Prize and The Pushcart Prize, and has been featured in The Best American Essays, The Best American Short Stories, The Best American Mystery Stories, and The Best American Travel Writing.

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Each month we aim to provide a helpful round-up of writing competitions, fellowships, publication opportunities and more for writers at all stages of their careers.

Deadlines and details do sometimes change, so please check the relevant websites (linked in bold) for all the latest details. For more opportunities and regular updates follow Aerogramme Writers’ Studio on Facebook and Twitter.

 

Can Serrat Residency 
near Barcelona is offering one writer a two-month residency including accommodation, workshop space and food. The residency is open to all writers regardless of nationality or age. Applications open on 1 February and close on 1 March.

Black Warrior Review
publishes poetry, fiction, nonfiction, and art by Pulitzer Prize and National Book Award winners alongside up-and-coming writers. Stories and poems appearing in Black Warrior Review have been reprinted in the Pushcart Prize series, Best American Short Stories, Best American Poetry, New Stories from the South, and other anthologies. Submissions close 1 March.

Stella Kupferberg Memorial Short Story Prize
is awarded by Selected Shorts and the 2017 judge is Lauren Groff. The winning entry will receive US$1000 and the work will be performed and recorded live at the Selected Shorts performance at Symphony Space, and will be published on electricliterature.com. The winning writer will also earn free admission to a 10-week course with Gotham Writers Workshop. Closes 1 March

Mississippi Arts Commission
awards fellowships of up to $5000 in several categories each year. Literary arts applications ( screenwriting, playwriting, creative non-fiction) are open until 1 March. Fellowships in fiction and poetry will be next offered in 2018.

Howard Frank Mosher Short Fiction Prize
is run by Vermont-based journal Hunger Mountain. The winner receives US$1000 and publication. Stories may be up to 10,000 words in length and all entries will be considered for publication. Entries to the prize close on 1 March.

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Applications for the prestigious and lucrative Academy of Motion Picture Arts and Sciences Don and Gee Nicholl Fellowships in Screenwriting are now open for 2017.

This international screenwriting competition awards up to five fellowships of US$35,000 each year. Since 1986, 147 fellowships totalling $4,090,000 have been awarded.

Who Can Enter

The competition is open to writers based anywhere in the world, regardless of citizenship. All entrants must be aged over 18. Entry scripts must be the original work of one writer, or of two writers who collaborated equally, and must be written originally in English. Translated scripts are not eligible.

The fellowships are intended for new and/or amateur screenwriters. In order to be eligible, an entrant’s total earnings for motion picture and television writing may not exceed US$25,000 before the end of the competition.

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