Rattle’s 12th annual poetry prize is currently accepting entries. The winner will receive US$10,000 and publication in the winter 2017 issue of the magazine. Ten finalists will each receive $200 and be in the running for a $2000 Reader’s Choice Award.

The competition is open to writers worldwide and all entries must be previously unpublished. Poems may be any length, any style, or any subject and there is no line limit.

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The Lifted Brow & RMIT non/fictionLab Prize for Experimental Non-Fiction is open to writers worldwide. According to the organisers “This prize seeks work that is unlike any other. We want to hear from writers we’ve never read before, and we want writers we already know and love to challenge themselves to create work unlike any they’ve previously produced.”

The winner will receive AUD$5000 (US$3750) and publication in issue 35 of The Lifted Bow. There are also two runners-up prizes. All entries must be under 5000 words and multiple entries are permitted.

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Applications have opened for the Warner Bros. Television Writers’ Workshop for 2017-2018. The ten writers selected for the program will participate in a three-part training program, all aimed at preparing them for a successful career in television writing.

Warner Bros. Television Writers’ Workshop describes itself as the premier writing program for new writers looking to start and further their career in the world of television. Graduates of the program include Terrance Winter (Boardwalk Empire), Marc Cherry (Desperate Housewives), Greg Garcia (My Name Is Earl) and Felicia Henderson (Soul Food).

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Apologies for the long delay between posts and the absence of an Opportunities for Writers post in April. Running this site is a part-time gig, and balancing it and life’s other challenges can get a little overwhelming sometimes.

If you would like to help ensure the future of this site, and our ability to post regularly, please consider signing up for a FREE two-month Skillshare. You’ll receive access to dozens of writing classes with teachers including Susan Orlean, Daniel José Older and Emily Gould, and we’ll receive a small commission (even if you cancel your subscription at the end of the trial). The offer ends on 30 April.

Our Opportunities for Writers list for May and June is below. As always, don’t forget that deadlines and details do sometimes change, so please check the relevant websites (linked in bold) for all the latest details.

For more opportunities and regular updates follow Aerogramme Writers’ Studio on Facebook and Twitter.

Thank you for your support.

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Electric Literature
is open to submissions of personal and critical essays, as well as humour that reflects on the world of reading, writing, literature, and storytelling in all its forms. The editors are particularly interested in pieces that examine the intersection of the literary world and other creative disciplines: film, fine art, music, video games, architecture etc. Closes 1 May.

The O. Henry Prize Stories
is an annual collection of the year’s twenty best stories published in American and Canadian magazines. Entries must be submitted by the magazine’s editors and should reach the series editor, Laura Furman, by 1 May. The 20 stories selected for the 2016 O. Henry Prize collection are available here.

Don and Gee Nicholl Fellowships in Screenwriting 
is an international screenwriting competition awards up to five fellowships of US$35,000 each year. The final entry deadline for the 2017 competition is 1 May.

Jack Jones Literary Arts
is hosting its first annual writing retreat at SMU-in-Taos in Taos, New Mexico. This two-week retreat will be held from 12 to 26 October and is open exclusively to women of color writing in any genre. Eleven fully-funded fellowships are available. Applications close 1 May.

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Image 20170405 6699 1g0z6np

Vladimir and Vera Nabokov in 1969.
Giuseppe Pino, Wikimedia Commons, CC BY

A post by Camilla Nelson

It started when an American academic noticed how frequently the acknowledgements sections of weighty academic tomes featured a male author thanking his nameless wife for typing. The Conversation

The academic, Bruce Holsigner, began sharing the screenshots on Twitter under the hashtag #ThanksforTyping.

And the response was stupendous. As the screenshots flooded in, a veritable army of unpaid women suddenly became visible. Not only were they typing, and retyping, but translating and editing and – um – doing the actual research.

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Ploughshares Emerging Writer's Contest 2015

Ploughshares literary magazine was established in 1971 and is widely considered to be one of the most prestigious magazines in the United States. Its writers have frequently been recognised by The Pushcart Prize and selected for The Best American Short Stories.

Ploughshares Emerging Writer’s Contest is open to writers of fiction, nonfiction and poetry who have not yet published or self-published a book. The winning story, essay and poems from the 2017 contest will all be published in the Winter 2017-18 issue of Ploughshares, and the prize money on offer has doubled from last year. Each winner will now receive $2000.

The contest is open to fiction and nonfiction pieces up to 6000 words; poetry entries must be between 3 and 5 pages.

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Canadian literary magazine PRISM international aims to publish the best contemporary fiction, creative non-fiction, translation, drama, and poetry from around the world. While its pages have featured such luminaries as Margaret Atwood, Jorge Luis Borges, Raymond Carver, and Seamus Heaney, most of the work it publishes is unsolicited, and many writers whose first publication appeared in PRISM international have gone on to critical acclaim. PRISM’s Prose Editor Christopher Evans discusses what he’s learned about editing a literary magazine, from a writer’s POV.

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