Apologies for the long delay between posts and the absence of an Opportunities for Writers post in April. Running this site is a part-time gig, and balancing it and life’s other challenges can get a little overwhelming sometimes.

If you would like to help ensure the future of this site, and our ability to post regularly, please consider signing up for a FREE two-month Skillshare. You’ll receive access to dozens of writing classes with teachers including Susan Orlean, Daniel José Older and Emily Gould, and we’ll receive a small commission (even if you cancel your subscription at the end of the trial). The offer ends on 30 April.

Our Opportunities for Writers list for May and June is below. As always, don’t forget that deadlines and details do sometimes change, so please check the relevant websites (linked in bold) for all the latest details.

For more opportunities and regular updates follow Aerogramme Writers’ Studio on Facebook and Twitter.

Thank you for your support.

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Electric Literature
is open to submissions of personal and critical essays, as well as humour that reflects on the world of reading, writing, literature, and storytelling in all its forms. The editors are particularly interested in pieces that examine the intersection of the literary world and other creative disciplines: film, fine art, music, video games, architecture etc. Closes 1 May.

The O. Henry Prize Stories
is an annual collection of the year’s twenty best stories published in American and Canadian magazines. Entries must be submitted by the magazine’s editors and should reach the series editor, Laura Furman, by 1 May. The 20 stories selected for the 2016 O. Henry Prize collection are available here.

Don and Gee Nicholl Fellowships in Screenwriting 
is an international screenwriting competition awards up to five fellowships of US$35,000 each year. The final entry deadline for the 2017 competition is 1 May.

Jack Jones Literary Arts
is hosting its first annual writing retreat at SMU-in-Taos in Taos, New Mexico. This two-week retreat will be held from 12 to 26 October and is open exclusively to women of color writing in any genre. Eleven fully-funded fellowships are available. Applications close 1 May. Continue Reading…

Image 20170405 6699 1g0z6np

Vladimir and Vera Nabokov in 1969.
Giuseppe Pino, Wikimedia Commons, CC BY

A post by Camilla Nelson

It started when an American academic noticed how frequently the acknowledgements sections of weighty academic tomes featured a male author thanking his nameless wife for typing. The Conversation

The academic, Bruce Holsigner, began sharing the screenshots on Twitter under the hashtag #ThanksforTyping.

And the response was stupendous. As the screenshots flooded in, a veritable army of unpaid women suddenly became visible. Not only were they typing, and retyping, but translating and editing and – um – doing the actual research.

Continue Reading…

Ploughshares Emerging Writer's Contest 2015

Ploughshares literary magazine was established in 1971 and is widely considered to be one of the most prestigious magazines in the United States. Its writers have frequently been recognised by The Pushcart Prize and selected for The Best American Short Stories.

Ploughshares Emerging Writer’s Contest is open to writers of fiction, nonfiction and poetry who have not yet published or self-published a book. The winning story, essay and poems from the 2017 contest will all be published in the Winter 2017-18 issue of Ploughshares, and the prize money on offer has doubled from last year. Each winner will now receive $2000.

The contest is open to fiction and nonfiction pieces up to 6000 words; poetry entries must be between 3 and 5 pages.

Continue Reading…

Canadian literary magazine PRISM international aims to publish the best contemporary fiction, creative non-fiction, translation, drama, and poetry from around the world. While its pages have featured such luminaries as Margaret Atwood, Jorge Luis Borges, Raymond Carver, and Seamus Heaney, most of the work it publishes is unsolicited, and many writers whose first publication appeared in PRISM international have gone on to critical acclaim. PRISM’s Prose Editor Christopher Evans discusses what he’s learned about editing a literary magazine, from a writer’s POV.

Continue Reading…

Starting in May, Iowa’s acclaimed International Writing Program is offering two new free online courses. Both will explore writing about identities, communities, and social issues.

The International Writing Program at the University of Iowa is a “unique conduit for the world’s literatures, connecting well-established writers from around the globe”,  Its principal program is its Fall Residency; since 1967 over fourteen hundred writers from more than 150 countries have participated.

In 2014 the International Writing Program offered its first MOOCs (Massive Open Online Courses). These courses, funded by the University of Iowa and the U.S. Department of State’s Bureau of Educational and Cultural Affairs, welcome all participants; no application is required and there is no charge for enrollment. In its first year alone, 15,789 readers and writers from around the world participated in these online courses.

Continue Reading…

The Elizabeth Jolley Short Story Prize is one of Australia’s most lucrative prizes for an original short story. Managed by Australian Book Review, the prize is worth a total of AUD$12,500 (approximately US$9400).

The winner of the 2017 Elizabeth Jolley Short Story Prize will receive $7000, and there are runners-up prizes of $2000 and $1000. In addition, three entries will receive judge’s commendation prizes of $850 each.

Entries are welcome from writers anywhere in the world and there are no age restrictions.

Continue Reading…

A guest post by Debra Eckerling

Most writers would agree: it’s a lonely profession. If you’re lucky, you get to spend lots of time behind the computer writing articles, prose, books, screenplays, etc. The drawback: you spend lots of time behind the computer.

It’s essential for writers to connect with others for various reasons.

Building a network gets you:

  • Leads for representation, submissions, and assignments. I have been writing for years and have only gotten two gigs from blind queries; the rest have been from referrals.
  • An audience, which only continues to increase in importance in this digital and social media age.
  • A support system for the ups and downs of the journey.

Therefore, you need to actually make an effort to meet, connect, and develop relationships with other writers.

Continue Reading…